{"id":164,"date":"2017-03-27T21:38:02","date_gmt":"2017-03-27T19:38:02","guid":{"rendered":"https:\/\/arafolk.net\/?page_id=164"},"modified":"2021-09-12T23:30:01","modified_gmt":"2021-09-12T22:30:01","slug":"albadas","status":"publish","type":"page","link":"https:\/\/arafolk.net\/gb\/cantos\/albadas\/","title":{"rendered":"Albadas"},"content":{"rendered":"\n\n\n
\"\"<\/p>\n
“Albada”, work of the painter Joaqu\u00edn Ferrer (n. Caspe, Zaragoza, 1953)<\/div>\n

The albadas<\/em> are serenade songs that were traditionally intoned at night or before dawn (hence the name of albada, or also, sometimes, alborada,<\/em> dawn). The reasons could be very diverse: there are religious, festive, Christmas, or amatorial albadas. Also in some places, albadas are songs whose texts are related to the events that recently occurred in the town.<\/p>\n

It was also common to sing the albadas in honor of the patron saints of the towns, during the dawn of the celebration. The interpreters were the inhabitants of the city, who traveled from house to house to sing coplas in honor of their inhabitants. The houses used to be visited in this order: the church, the village authorities, the families and the brides of the singers, and then the houses of the single girls.<\/p>\n

This is not the only function of the albadas; in some villages they were sung at wedding celebrations or to honor the girls who initiated romantic relationships. There are also songs compiled as Christmas songs (see the section dedicated to Christmas carols on this website).<\/p>\n

For example, it was customary to write albadas for a wedding, in honor of the newlyweds. The couple gave money, food or drink so that the singles could make a snack. The tone of the songs was more or less respectful depending on what the singers picked up from the couple. If the newlyweds were widowed, they were given a pan-banging, in which they were sang along with the songs with cowbells or other instruments of similar sonority.<\/p>\n

The serenade used to be accompanied by musical instruments: dulzainas and drums, rondalla, bagpipes …<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n
\n

Albada<\/b>
\nAlca\u00f1iz<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albadas de San Antonio Abad<\/b>
\nAlcorisa<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albada<\/b>
\nAlqu\u00e9zar<\/p>\n

Transcripci\u00f3n musical: J. Aparicio. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
<\/center><\/td>\n<\/tr>\n
\n
Alqu\u00e9zar y la Colegiata<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

Albada<\/b>
\nArgente, Cama\u00f1as, Lid\u00f3n y Visiedo<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albada<\/b>
\nAtea<\/p>\n

Transcripci\u00f3n musical: A. Mingote. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albadas de San Antonio Abad<\/b>
\nBeceite<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albadas<\/b>
\nBelmonte de San Jos\u00e9<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albada<\/b>
\nCalaceite<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/a><\/td>\n<\/tr>\n

\n

Albadas de San Antonio Abad<\/b>
\nCamarillas<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albadas<\/b>
\nLa Codo\u00f1era y otros pueblos<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albada<\/b>
\nEmb\u00fan<\/p>\n

Transcripci\u00f3n musical: J. J. de Mur. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albada<\/b>
\nFerreruela de Huerva<\/p>\n

Transcripci\u00f3n musical: Somerond\u00f3n.<\/i> Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albadas<\/b>
\nFonfr\u00eda<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albadas de Santa Agueda<\/b>
\nLa Fresneda<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albadas a la Virgen de los Navarros<\/b>
\nFuentes Claras<\/p>\n

Se cantan en la medianoche del 7 de septiembre, v\u00edspera de la festividad de la Virgen de los Navarros. A las doce de la noche, todo el pueblo se reune a las puertas de la iglesia, que se abren a media noche. All\u00ed, quien desea hacerlo canta su albada, con letra inventada para la ocasi\u00f3n, pidiendo a la Virgen protecci\u00f3n para el pueblo, o para las cosechas, o recordando a los que se han ido….
\nSe trata de coplas con aires de jota, cantadas todas ellas con la misma melod\u00eda, repiti\u00e9ndose los dos \u00faltimos versos.<\/p>\n

Texto e informaci\u00f3n recogidos de Javier Esteban. Transcripci\u00f3n MIDI: A. Tur\u00f3n. Basada en la versi\u00f3n interpretada por el grupo Somerond\u00f3n<\/i>.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albadas de San Miguel Arc\u00e1ngel<\/b>
\nFuentespalda<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albadas de San Antonio Abad<\/b>
\nGalve<\/p>\n

Transcripci\u00f3n musical: T. Gabarr\u00fas, I. Gasc\u00f3n y A. Monz\u00f3n. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albada<\/b>
\nLitago y Litu\u00e9nigo<\/p>\n

Transcripci\u00f3n musical: A. Mingote. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

<\/b>Albada de San Antonio Abad y San Sebasti\u00e1n M\u00e1rtir
\nMas de las Matas<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/a><\/td>\n<\/tr>\n

\n

Despedida de la albada<\/b>
\nMas de las Matas<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albada<\/b>
\nMas de las Matas<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Despedida de la albada<\/b>
\nMas de las Matas<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
The Mas de las Matas albadas were collected by Miguel Arnaudas in his Collection of Popular Songs of the Province of Teruel,<\/em> published in 1927. This compilation work has been maintained thanks to the work of the Cultural Association “Dulzaineros El Relicario”,<\/strong>\u00a0from Mas de las Matas. They have studied these melodies, they have created musical arrangements for them and thanks to their work, the albadas sound again.
\nDulzaineros “El Relicario” has captured these albadas in a recent recording, which can be heard on their website, where we can aldo find information about the work they have done with these albadas and other traditional melodies:
\nhttp:\/\/www.masdelasmatas.com\/dulzaineros\/primera.htm<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
\n

Albadas de la Asunci\u00f3n y San Roque<\/b>
\nMonroyo<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n

\n

Albadas de la Asunci\u00f3n y San Roque<\/b>
\nMonroyo<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n

<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
<\/center><\/td>\n<\/tr>\n
\n
Monroyo<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

Albada
\nMurero y Atea<\/p>\n

Transcripci\u00f3n musical: A. Mingote. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/span><\/div>\n

<\/span><\/a><\/td>\n<\/tr>\n

\n

Albada de San Fabi\u00e1n y San Sebasti\u00e1n
\nNaval<\/p>\n

Transcripci\u00f3n musical y armonizaci\u00f3n: J. J. de Mur. Cancionero altoaragon\u00e9s. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/span><\/div>\n

<\/span><\/a><\/td>\n<\/tr>\n

\n

Albada
\nOlv\u00e9s<\/p>\n

Transcripci\u00f3n musical: A. Mingote. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/span><\/div>\n

<\/span><\/a><\/td>\n<\/tr>\n

\n

Albada
\nLas Parras de Castellote y Luco de Bord\u00f3n<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/span><\/div>\n

<\/span><\/a><\/td>\n<\/tr>\n

\n

Albada
\nEl Pobo<\/p>\n

Se interpreta en la noche del 23 de junio, v\u00edspera de San Juan Bautista.<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/span><\/div>\n

<\/span><\/a><\/td>\n<\/tr>\n

\n

Albada
\nEl Pobo<\/p>\n

Se interpreta el d\u00eda 25 de junio en honor a San Juan y San Pablo, M\u00e1rtires (los Santos de la Piedra).<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/span><\/div>\n

<\/span><\/a><\/td>\n<\/tr>\n

\n

Albada
\nEl Pobo<\/p>\n

Al igual que la anterior, se interpreta el d\u00eda 25 de junio en honor a San Juan y San Pablo, M\u00e1rtires.<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/span><\/div>\n

<\/span><\/a><\/td>\n<\/tr>\n

\n

Albada
\nEl Pobo<\/p>\n

Se interpreta la noche del 23 de Junio, en honor a San Juan Bautista, y la del 24 de junio, en honor a San Juan y San Pablo, M\u00e1rtires.<\/p>\n

Recogida de S. Casas. Transcripci\u00f3n musical y MIDI: A. Tur\u00f3n.<\/span><\/div>\n

<\/a><\/a><\/span><\/td>\n<\/tr>\n

\n

Albada de la Virgen del Rosario
\nTerriente<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/span><\/div>\n

<\/span><\/a><\/td>\n<\/tr>\n

\n

Albada
\nToril, Arroyofr\u00edo y Masegoso<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/span><\/div>\n

<\/span><\/a><\/td>\n<\/tr>\n

\n

Albada de Santa Agueda
\nValderrobres<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/span><\/div>\n

<\/span><\/a><\/td>\n<\/tr>\n

\n

Albada de la Virgen de la Fuensanta
\nVillel<\/p>\n

Transcripci\u00f3n musical: M. Arnaudas. Arreglos y transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/span><\/div>\n

<\/span><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

“Albada”, work of the painter Joaqu\u00edn Ferrer (n. Caspe, Zaragoza, 1953) The albadas are serenade songs that were traditionally intoned at night or before dawn (hence the name of albada, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":112,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-164","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.6","language":"gb","enabled_languages":["an","ca","es","gb","fi"],"languages":{"an":{"title":true,"content":true,"excerpt":false},"ca":{"title":true,"content":true,"excerpt":false},"es":{"title":true,"content":true,"excerpt":false},"gb":{"title":true,"content":true,"excerpt":false},"fi":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/arafolk.net\/gb\/wp-json\/wp\/v2\/pages\/164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arafolk.net\/gb\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arafolk.net\/gb\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arafolk.net\/gb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arafolk.net\/gb\/wp-json\/wp\/v2\/comments?post=164"}],"version-history":[{"count":21,"href":"https:\/\/arafolk.net\/gb\/wp-json\/wp\/v2\/pages\/164\/revisions"}],"predecessor-version":[{"id":3077,"href":"https:\/\/arafolk.net\/gb\/wp-json\/wp\/v2\/pages\/164\/revisions\/3077"}],"up":[{"embeddable":true,"href":"https:\/\/arafolk.net\/gb\/wp-json\/wp\/v2\/pages\/112"}],"wp:attachment":[{"href":"https:\/\/arafolk.net\/gb\/wp-json\/wp\/v2\/media?parent=164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}