{"id":228,"date":"2017-03-29T12:49:02","date_gmt":"2017-03-29T10:49:02","guid":{"rendered":"https:\/\/arafolk.net\/?page_id=228"},"modified":"2017-10-06T16:57:50","modified_gmt":"2017-10-06T14:57:50","slug":"el-dance-de-el-burgo-de-ebro","status":"publish","type":"page","link":"https:\/\/arafolk.net\/ca\/folklore-musical\/dances\/el-dance-de-el-burgo-de-ebro\/","title":{"rendered":"El dance de El Burgo de Ebro"},"content":{"rendered":"<p>Labor de recuperaci\u00f3n efectuada por Luc\u00eda P\u00e9rez Garc\u00eda-Oliver. An\u00e1lisis musical de \u00c1ngel Vergara Miravete.<\/p>\n<p>La informaci\u00f3n publicada en esta p\u00e1gina Web procede de M\u00aa Antonia Berges, de \u00c1ngel Vergara y del libro <em>El dance de El Burgo de Ebro<\/em>, editado por el Ayuntamiento de El Burgo de Ebro en el a\u00f1o 2000.<\/p>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"4\">\n<tbody>\n<tr>\n<td width=\"50%\"><center><img loading=\"lazy\" decoding=\"async\" src=\"..\/..\/..\/images\/dances\/dburgo\/dburgo02.jpg\" width=\"300\" height=\"182\" \/><\/center><\/td>\n<td width=\"50%\"><center><img loading=\"lazy\" decoding=\"async\" src=\"..\/..\/..\/images\/dances\/dburgo\/dburgo03.jpg\" width=\"300\" height=\"182\" \/><\/center><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\"><center><span style=\"font-size: small;\">Izquierda: ni\u00f1as en el pasacalles de la procesi\u00f3n, a mediados de los 60 (Foto: M\u00aa Antonia Berges).<br \/>\nDerecha: danzantes del pasacalles, con la banda de la Diputaci\u00f3n Provincial de Zaragoza, a principios de los 50 (Foto: Ederlinda Ser\u00f3s).<\/span><\/center><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"4\">\n<tbody>\n<tr>\n<td><center><img loading=\"lazy\" decoding=\"async\" src=\"..\/..\/..\/images\/dances\/dburgo\/dburgo06.jpg\" width=\"350\" height=\"350\" \/><\/center><\/td>\n<\/tr>\n<tr>\n<td><center><span style=\"font-size: small;\">Felisa Beltr\u00e1n Lorente, de quien se recogi\u00f3 en 1982 la m\u00fasica de este dance<br \/>\n(Foto: M\u00aa Antonia Berges)<\/span><\/center><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"4\" align=\"left\">\n<tbody>\n<tr>\n<td style=\"border: 1px solid;\" valign=\"TOP\">\n<p align=\"JUSTIFY\"><b><i>Tralir\u00e1 San Pedro, tralir\u00e1 San Juan<\/i><\/b><br \/>\nPasacalles de la procesi\u00f3n<\/p>\n<div style=\"font-size: small;\">Transcripci\u00f3n musical: A.Vergara. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n<p><a href=\"..\/..\/..\/midis\/dances\/dburgo\/claveles.mid\"><img decoding=\"async\" src=\"..\/..\/..\/images\/sinte.gif\" border=\"0\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"border: 1px solid;\" valign=\"TOP\">\n<p align=\"JUSTIFY\"><b><i>La Virgen se sube al cielo<\/i><\/b><br \/>\nCanci\u00f3n primera<\/p>\n<div style=\"font-size: small;\">Transcripci\u00f3n musical: A.Vergara. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n<p><a href=\"..\/..\/..\/midis\/dances\/dburgo\/csangel.mid\"><img decoding=\"async\" src=\"..\/..\/..\/images\/sinte.gif\" border=\"0\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"border: 1px solid;\" valign=\"TOP\">\n<p align=\"JUSTIFY\"><b><i>Florecida estaba la malva<\/i><\/b><br \/>\nPrimera mudanza<\/p>\n<div style=\"font-size: small;\">Transcripci\u00f3n musical: A.Vergara. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n<p><a href=\"..\/..\/..\/midis\/dances\/dburgo\/malva.mid\"><img decoding=\"async\" src=\"..\/..\/..\/images\/sinte.gif\" border=\"0\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"border: 1px solid;\" valign=\"TOP\">\n<p align=\"JUSTIFY\"><b><i>Muera, muera toda la Turqu\u00eda<\/i><\/b><br \/>\nCanci\u00f3n segunda<\/p>\n<div style=\"font-size: small;\">Transcripci\u00f3n musical: A.Vergara. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n<p><a href=\"..\/..\/..\/midis\/dances\/dburgo\/canccrst.mid\"><img decoding=\"async\" src=\"..\/..\/..\/images\/sinte.gif\" border=\"0\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"border: 1px solid;\" valign=\"TOP\">\n<p align=\"JUSTIFY\"><b><i>La ma\u00f1ana de san Gil<\/i><\/b><br \/>\nSegunda mudanza<\/p>\n<div style=\"font-size: small;\">Transcripci\u00f3n musical: A.Vergara. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n<p><a href=\"..\/..\/..\/midis\/dances\/dburgo\/manana.mid\"><img decoding=\"async\" src=\"..\/..\/..\/images\/sinte.gif\" border=\"0\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"border: 1px solid;\" valign=\"TOP\">\n<p align=\"JUSTIFY\"><b><i>Estribillo<\/i><\/b><\/p>\n<div style=\"font-size: small;\">Transcripci\u00f3n musical: A.Vergara. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n<p><a href=\"..\/..\/..\/midis\/dances\/dburgo\/estbllo.mid\"><img decoding=\"async\" src=\"..\/..\/..\/images\/sinte.gif\" border=\"0\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"border: 1px solid;\" valign=\"TOP\">\n<p align=\"JUSTIFY\"><b><i>La pajaretita<\/i><\/b><br \/>\nTercera mudanza<\/p>\n<div style=\"font-size: small;\">Transcripci\u00f3n musical: A.Vergara. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n<p><a href=\"..\/..\/..\/midis\/dances\/dburgo\/pajareta.mid\"><img decoding=\"async\" src=\"..\/..\/..\/images\/sinte.gif\" border=\"0\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"border: 1px solid;\" valign=\"TOP\">\n<p align=\"JUSTIFY\"><b><i>Toque a deg\u00fcello<\/i><\/b><\/p>\n<div style=\"font-size: small;\">Transcripci\u00f3n musical: A.Vergara. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n<p><a href=\"..\/..\/..\/midis\/dances\/dburgo\/deguello.mid\"><img decoding=\"async\" src=\"..\/..\/..\/images\/sinte.gif\" border=\"0\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"border: 1px solid;\" valign=\"TOP\">\n<p align=\"JUSTIFY\"><b><i>Tres claveles, madre<\/i><\/b><br \/>\nCuarta mudanza<\/p>\n<div style=\"font-size: small;\">Transcripci\u00f3n musical: A.Vergara. Transcripci\u00f3n MIDI: A. Tur\u00f3n.<\/div>\n<p><a href=\"..\/..\/..\/midis\/dances\/dburgo\/claveles.mid\"><img decoding=\"async\" src=\"..\/..\/..\/images\/sinte.gif\" border=\"0\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"4\">\n<tbody>\n<tr>\n<td width=\"50%\"><center><img loading=\"lazy\" decoding=\"async\" src=\"..\/..\/..\/images\/dances\/dburgo\/dburgo05.jpg\" width=\"300\" height=\"217\" \/><\/center><\/td>\n<td width=\"50%\"><center><img loading=\"lazy\" decoding=\"async\" src=\"..\/..\/..\/images\/dances\/dburgo\/dburgo01.jpg\" width=\"300\" height=\"217\" \/><\/center><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\"><center><span style=\"font-size: small;\">Izquierda: representaci\u00f3n de 1984 durante la Fiesta Mayor (Foto: Jos\u00e9 \u00c1ngel Palacios)<br \/>\nDerecha: primera representaci\u00f3n del dance tras su recuperaci\u00f3n, el 21 de abril de 1983 (Foto cedida por \u00c1ngel Vergara)<\/span><\/center><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"4\">\n<tbody>\n<tr>\n<td valign=\"top\"><center><img loading=\"lazy\" decoding=\"async\" src=\"..\/..\/..\/images\/dances\/dburgo\/dburgo04.jpg\" width=\"542\" height=\"385\" \/><\/center><\/td>\n<\/tr>\n<tr>\n<td><center><span style=\"font-size: small;\">Algunas p\u00e1ginas del manuscrito de Vicente Mombiela conteniendo el texto \u00edntegro del dance<br \/>\n(Cedido por Paquita Monterde)<\/span><\/center><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"4\">\n<tbody>\n<tr>\n<td valign=\"top\"><center><img loading=\"lazy\" decoding=\"async\" src=\"..\/..\/..\/images\/dances\/dburgo\/palos.jpg\" width=\"236\" height=\"300\" \/><\/center><\/td>\n<\/tr>\n<tr>\n<td>\n<div style=\"font-size: small; text-align: center;\">Palos y elementos del traje de los danzantes<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Labor de recuperaci\u00f3n efectuada por Luc\u00eda P\u00e9rez Garc\u00eda-Oliver. An\u00e1lisis musical de \u00c1ngel Vergara Miravete. La informaci\u00f3n publicada en esta p\u00e1gina Web procede de M\u00aa Antonia Berges, de \u00c1ngel Vergara y [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":114,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-228","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.6","language":"ca","enabled_languages":["an","ca","es","gb","fi"],"languages":{"an":{"title":true,"content":true,"excerpt":false},"ca":{"title":false,"content":false,"excerpt":false},"es":{"title":false,"content":false,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false},"fi":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/arafolk.net\/ca\/wp-json\/wp\/v2\/pages\/228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arafolk.net\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arafolk.net\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arafolk.net\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arafolk.net\/ca\/wp-json\/wp\/v2\/comments?post=228"}],"version-history":[{"count":10,"href":"https:\/\/arafolk.net\/ca\/wp-json\/wp\/v2\/pages\/228\/revisions"}],"predecessor-version":[{"id":1194,"href":"https:\/\/arafolk.net\/ca\/wp-json\/wp\/v2\/pages\/228\/revisions\/1194"}],"up":[{"embeddable":true,"href":"https:\/\/arafolk.net\/ca\/wp-json\/wp\/v2\/pages\/114"}],"wp:attachment":[{"href":"https:\/\/arafolk.net\/ca\/wp-json\/wp\/v2\/media?parent=228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}